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HIP HOP CLASSICS

                       GOING ALL OUT  revisits

"LONG LIVE THE KANE" and "IT'S A BIG DADDY THING"

                                         

 

Very rarely, when watching these TOP TEN MC shows

does this artist's name come up.

 

But, who was single-handedly responsible for resurrecting

 "The Juice Crew" after the MC Shan and

Boogie Down Productions Battle on wax?

 

Who was the man that said, he was so full of action,

his name should be a verb?

 

Who's Flattop ruled in '89?

 

BIG DADDY KANE aka Antonio Hardy, should go down as one of the TOP TEN RAPPERS

of all time. The name "KANE" was an acronym for KING ASIATIC NOBODY'S EQUAL,

and that's exactly what he proved lyrically. In 1984, he met BIZ MARKIE. BIZ tried

to persuade Kane to rap. Being apprehensive, Kane didn't take him seriously and was

content rapping locally. It was after Kane co-wrote some of BIZ's best known raps

and saw the success of BIZ, that Kane took rap seriously. In 1987, Kane released his

first single on Prizm Records, "Get Into It" which created a buzz in the underground

circuit. That same year, he signed with Marley Marl's "COLD CHILLIN" label and

dropped his next single "Raw". After hearing this single, you had to take him seriously.

KANE was putting his rhymes together in a style that was unorthodox, yet creative.

Shortly after Kane started ripping mics with his multi-tempo style, lyrically, he became

a standard in which many rappers were judged. For instance, here's a verse from

BIG DADDY KANE'S - AIN'T NO HALF STEPPIN:

 

My rhymes are so dope and

the rappers be hoping

To sound like me,

so soon I'll have to open

A school of MCing,

for those who want to be in

my field in court.

Then again on second thought,

to have MC's coming out sounding so similar

It's quite confusing

for you to remember

the Originator,

and boy do I hate a

Perpetrator,

but I'm much greater.

The best

Oh yes

I guess

suggest

the rest

should fess

Don't mess

or test

your Highness

Unless you just

address

with best finesse

and bless the paragraph

I Manifest...

 

Because of rhymes like these, and innovative, gifted artists like Big Daddy Kane, Rakim

KRS-ONE, Slick Rick, Chuck D and Ice Cube, RAP was about to evolve to the multibillion

dollar industry it is today.

 

                                                                       

                           

  

      LONG LIVE THE KANE-1988                        

                            

                               

 

 B.D.K.'s 1988 debut is a "R.A.W." (Ready and Willing) classic album.

This album contained ten tracks, 9 of them could rock a party

or club this present day. Some of the highlights from this album

were: Long Live the Kane, Raw, Set It Off, Just Rhymin' with BIZ, Ain't No Half-Steppin'

and Word to the Mother (Land). This album proved to be one of the essential albums

that all rap fans must have in their collection.

 

 

 

 

 

 

 

 IT'S A BIG DADDY THING- 1989

 

           

 Rap fans were in a state of euphoria in 1987 and 1988.

These two years produced solid rap singles and albums.

But in 1989, B.D.K. followed his classic debut with an

exemplary sophomore album. This album contained

seventeen tracks. The majority of them were solid. Since the album was released

so quickly, a lot of fans in the New York City area gravitated to this album,

slightly more than his debut. Marley Marl didn't leak songs from this album on

his N.Y.C. based radio show, like he did with Kane's debut. Highlights from this

album were: Another Victory, Mortal Combat, Young, Gifted and Black,

Smooth Operator, Calling Mr. Welfare, Pimpin' Ain't Easy, On the Move and

Warm It Up, Kane.

 

If today's MC could achieve the level of thought and creativity artists like Kane

used when composing their lyrics, rap would experience another Golden Era.

These two CD's are must haves for any HIP-HOP fan. Cop these to see what

rap used to sound like. And the words of Big Daddy Kane:

 

"...my voice will float

on every note

when I clear my throat,

that's all she wrote!"

                                                                K. Mercer

                                                                

 

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